Butcher's Shop
The Butcher's Shop | |
---|---|
Artist | Annibale Carracci |
Year | c. 1583 |
Medium | Oil on canvas |
Dimensions | 185 cm × 266 cm (73 in × 105 in) |
Location | Christ Church Picture Gallery, Oxford |
Butcher's Shop is the title of two paintings by the Italian Baroque painter Annibale Carracci, both dating from the early 1580s. They are now in the collections of Christ Church Picture Gallery, Oxford,[1] and the Kimbell Art Museum in Fort Worth, Texas.[2]
The paintings are connected to the contemporary Beaneater (Galleria Colonna), as they are very early examples of Italian genre painting. The large size of the Christ Church painting is exceptional for such a subject at this date, and it has been suggested they were commissioned by a butcher's guild, or for use as a sign. Carracci was influenced in his depiction of everyday life subjects by Vincenzo Campi and Bartolomeo Passarotti, whom the Butcher's Shop was originally attributed to. Carracci's ability to adapt his style is demonstrated, making it "lower" when concerning "lower", quasi-satirical subjects like the Mangiafagioli and the Butcher's Shop, while in his more academic works (such as the roughly contemporary Assumption of the Virgin) he was able to use a more finished manner with the same ease.
It is claimed[by whom?] that members of the painter's family were used as models. Significant alterations to some figures are revealed by X-rays, and the hand on the edge of the table, now apparently belonging to the old woman, though not in proportion with the rest of her, may have originally belonged to the butcher to the right of her.
The Christ Church painting was in the collections of the Gonzaga Dukes of Mantua and Charles I of England; after reaching Christ Church it was hung for a long time in the college kitchen, before being recognised for what it was in the 20th century.
References
External links
- Raw Painting, The Butchers Shop, Yale University Press
- The Butchers Shop Theme, Analysis and Critical Reception
- The Butchers Shop Theme, Oxford University PressJournals
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- List of paintings
- The Laughing Youth (1580s)
- The Beaneater (1580–1590)
- Butcher's Shop (1583)
- Crucifixion with Saints (1583)
- Corpse of Christ (1583–1585)
- An Allegory of Truth and Time (1584–1585)
- Baptism of Christ (1585)
- Pietà with Saints Clare, Francis and Mary Magdalene (1585)
- The Mystic Marriage of St Catherine (c. 1585)
- The Vision of Saint Eustace (1585–1586)
- Two Children Teasing a Cat (1587–1588)
- Madonna and Child with Saints (1588)
- Venus with a Satyr and Two Cupids (1588–1590)
- Lamentation (1587–1590)
- Self-Portrait in Profile (1590s)
- Assumption of the Virgin (Madrid; 1590)
- The Virgin Appears to Saint Luke and Saint Catherine (1592)
- Self-Portrait (1593)
- Madonna and Child with Saints (1593)
- Resurrection (1593)
- Madonna and Child in Glory over the City of Bologna (c. 1593)
- Christ and the Samaritan Woman (1593–1594)
- Saint Roch Giving Alms (1587–1595)
- Fishing (before 1595)
- Hunting (before 1595)
- River Landscape (c. 1590)
- Christ and the Canaanite Woman (1594–1595)
- Entombment of Christ (c. 1595)
- Venus, Adonis and Cupid (c. 1595)
- Camerino Farnese
- The Choice of Hercules (1596)
- Christ in Glory with Saints and Odoardo Farnese (c. 1597–1598)
- The Death of Saint Francis (1597–1598)
- Saint Margaret of Antioch (1599)
- Christ Appearing to Saint Anthony Abbot (1598–1600)
- Christ Crowned with Thorns (1598–1600)
- Christ Crowned with Thorns (Bologna) (c. 1598–1600)
- The Madonna and Sleeping Child with the Infant St John the Baptist (c. 1599–1600)
- Pietà (c. 1600)
- The Three Marys at the Tomb (c. 1600)
- Rinaldo and Armida (c. 1601)
- Assumption of the Virgin (Rome; 1600–1601)
- Saint Gregory at Prayer (c. 1600–1602)
- Domine quo vadis? (c. 1602)
- Portable Altarpiece with Pietà and Saints (1603)
- Pietà with Two Angels (c. 1603)
- Sleeping Venus (c. 1603)
- Self-Portrait on an Easel (1603–1604)
- The Martyrdom of St Stephen (c. 1603–1604)
- Portrait of Monsignor Giovanni Battista Agucchi (1604) (disputed)
- Landscape with the Flight into Egypt (c. 1604)
- The Dead Christ Mourned (c. 1604)
- Rest on the Flight into Egypt (c. 1604)
- Danaë (1600–1605)
- Saint Didacus of Alcalá Presenting Juan de Herrera's Son to Christ (c. 1606)
- Pietà with Saint Francis and Saint Mary Magdalene (1602–1607)
- The Loves of the Gods (1608)
- The Birth of the Virgin (1605–1609)