Gods of the Plague
- 4 April 1970 (1970-04-04) (Vienna International Film Festival)
Gods of the Plague (German: Götter der Pest) is a 1970 West German black-and-white drama film directed by Rainer Werner Fassbinder.
Plot
After his release from prison, ex-convict Franz Walsch finds his way back into the Munich criminal underworld. His attentions become focused upon two women, Joanna and Margarethe, as well as upon Günther, his friend who earlier shot his brother.
Cast
- Hanna Schygulla as Joanna Reiher
- Margarethe von Trotta as Margarethe
- Harry Baer as Franz Walsch
- Günther Kaufmann as Günther
- Carla Egerer [de] as Carla (as Carla Aulaulu)
- Ingrid Caven as Magdalena Fuller
- Jan George as Policeman
- Marian Seidowsky as Marian Walsch
- Yaak Karsunke as Inspector
- Micha Cochina as Joe
- Hannes Gromball as Supermarket Manager
- Lilith Ungerer as Girl
- Katrin Schaake as Café Owner
- Lilo Pempeit as Mother
- Rainer Werner Fassbinder as Pornography Customer
- David Morgan as Catcher
- Thomas Schieder as Tommy
- Kurt Raab as Pub Guest
- Irm Hermann as Bartender
- Peter Moland
- Doris Mattes as Marie Luise
- Eva Madelung as Girl
- Ursula Strätz as Antique Shop Owner
Production
The film was shot in Munich and Dingolfing during five weeks in October and November 1969 with Fassbinder eventually coming to consider it, shortly before he died, as the fifth-best feature film he made during his entire career.[1]
Analysis
Kaja Silverman, author of the scholarly article "Fassbinder and Lacan: A Reconsideration of Gaze, Look, and Image," wrote that the film "holds subject and ideal image at the most extreme distance from each other and that, hence, attests most eloquently to the latter's recalcitrant exteriority."[2] She further wrote that the character of Margarethe "sustains her identity through constant reference to an external representation."[3] Commenting on the scene in which she sees herself in a poster of a face of a blonde woman, Silverman stated that it is "presumably a blown-up advertisement."[2] It has also been noted that the film is replete with homoerotic symbolism.[4]
Release
The film was released on DVD by The Criterion Collection in 2013 through its Eclipse series as part of a box set together with Love Is Colder Than Death, Katzelmacher, The American Soldier and Beware of a Holy Whore.[5]
Reception
The film's ensemble cast and camera work won the Deutscher Filmpreis (Filmband in Gold) in 1970.[6] PopMatters' opinion of the film was that it "prov[es] the director’s expressive mastery,"[7] critic Michael Koresky opined that the film "ultimately illustrates the futility of romance and the inevitability and ignominy of death,"[8] while another critic, Noel Murray, wrote that the film explores its "milieux in remarkable ways, with memorable moments" and a "casualness about nudity and scatology that outpaces even the American underground cinema of the era."[9] Similarly, Slant Magazine critic Jordan Cronk wrote that Fassbinder's "technical prowess shows greater advancement" with this film, "parlaying minimalism into a more dreary dramaturgy,"[10] Steve Erickson underscored the fact that "there's something compelling about the film's experimentation, even if Fassbinder’s skills weren't all quite there yet. For one thing, Gods of the Plague takes a narrative that purportedly revolves around a heterosexual love triangle and turns it in a homoerotic direction, offering up nudity from both Baer and Kaufmann, the latter of whom the director was infatuated with at the time. That's a twist on the film noir rarely seen even today,"[11] and Rebecca A. Brown noted that the film is one of "Fassbinder’s most visually stunning early films [in which the] camera lushly juxtaposes intense darks, greys, and whites in every scene. Centered images of the actors and well-decorated interiors abound, as well, disorienting the familiarity of the narrative and Baer’s purposely listless performance."[12] Furthermore, IndieWire has referred to the film as "sensually composed,"[13] critic Fernando F. Croce opined that the film's "dialogue is musical in its terseness,"[14] critic Dennis Schwartz has called it a "fairly good watch,"[15] and TV Guide wrote that it is a "memorable crime flick."[16] The New York Times critic Vincent Canby wrote that "it's impeccably performed by members of the Fassbinder stock company,"[17] and London's Time Out praised the film as "a witty, stylish meditation on the genre, filtered through the decidedly dark and morbid sensibility of its director."[18]
References
- ^ Clark, Jim (18 September 2013). "The Films of Rainer Werner Fassbinder". Jim's Film Website. Archived from the original on 9 December 2018. Retrieved 21 January 2014.
- ^ a b Silverman, p. 281.
- ^ Silverman, p. 282.
- ^ Clark, Jim (28 July 2003). "The Films of Rainer Werner Fassbinder: Gods of the Plague/Götter der Pest". Jim's Film Website. Retrieved 21 January 2014.
- ^ "Gods of the Plague". The Criterion Collection. Retrieved 17 January 2014.
- ^ "Götter der Pest". Film Portal (in German). Retrieved 17 January 2014.
- ^ Oursler, John (4 October 2013). "Early Fassbinder Gets Us Inside the Developing Mind of a Creative Genius". PopMatters. Retrieved 17 January 2014.
- ^ Koresky, Michael (26 August 2013). "Eclipse Series 39: Early Fassbinder". The Criterion Collection. Retrieved 17 January 2014.
- ^ Murray, Noel (3 September 2013). "Early Fassbinder". The Dissolve. Archived from the original on 1 February 2014. Retrieved 17 January 2014.
- ^ Cronk, Jordan (26 August 2013). "Early Fassbinder". Slant Magazine. Retrieved 17 January 2014.
- ^ Erickson, Steve (27 August 2013). "True Love and Self-Destruction: Early Fassbinder on DVD". Roger Ebert. Retrieved 17 January 2014.
- ^ Brown, Rebecca A. (27 August 2013). "DVD Box Set Review: Eclipse Series 39: Early Fassbinder". Cinespect: Views on the New York Film Scene. Archived from the original on 21 January 2014. Retrieved 17 January 2014.
- ^ Hills, Aaron (28 August 2013). "DVD Is the New Vinyl: Famous Pimps, Infamous Early Fassbinder & Q: The Winged Serpent". IndieWire. Retrieved 17 January 2014.
- ^ Croce, Fernando F. (7 February 2010). "Gods of the Plague (Rainer Werner Fassbinder/West Germany, 1970): (Götter der Pest)". CinePassion. Retrieved 1 February 2014.
- ^ Schwartz, Dennis (22 May 2006). "Rainer Werner Fassbinder's Homage to American Gangster Films". Ozu's World Movie Reviews. Archived from the original on 5 March 2016. Retrieved 21 January 2014.
- ^ Pardi, Robert (18 September 2006). "Gods of the Plague". TV Guide. Retrieved 21 January 2014.
- ^ Canby, Vincent (11 June 1977). "Gods of the Plague (1970): Gods of the Plague, 1970 Fassbinder Film, Is Quintessential American Gangster Movie". The New York Times. Retrieved 1 February 2014.
- ^ "Gods of the Plague". Time Out London. Retrieved 1 February 2014.
Bibliography
- Silverman, Kaja. "Fassbinder and Lacan: A Reconsideration of Gaze, Look, and Image." In: Bryson, Norman, Michael Ann Holly, and Keith Moxey (editors). Visual Culture: Images and Interpretations. Wesleyan University Press, 2013, p. 272ff. ISBN 0819574236, 9780819574237.
External links
- Götter der Pest at the Rainer Werner Fassbinder Foundation's Official Website (in German)
- Gods of the Plague at IMDb
- Gods of the Plague at Rotten Tomatoes
- Gods of the Plague at AllMovie
- Gods of the Plague at the TCM Movie Database
- Götter der Pest at Film Portal (in German)
- v
- t
- e
- Love Is Colder Than Death (1969)
- Katzelmacher (1969)
- Gods of the Plague (1970)
- Why Does Herr R. Run Amok? (1970)
- The American Soldier (1970)
- Whity (1971)
- Beware of a Holy Whore (1971)
- The Merchant of Four Seasons (1971)
- The Bitter Tears of Petra von Kant (1972)
- Ali: Fear Eats the Soul (1974)
- Effi Briest (1974)
- Fear of Fear (1975)
- Fox and His Friends (1975)
- Mother Küsters' Trip to Heaven (1975)
- Satan's Brew (1976)
- Chinese Roulette (1976)
- Germany in Autumn (1978)
- Despair (1978)
- In a Year of 13 Moons (1978)
- The Marriage of Maria Braun (1979)
- The Third Generation (1979)
- Lili Marleen (1981)
- Lola (1981)
- Veronika Voss (1982)
- Querelle (1982)
- The Niklashausen Journey (1970)
- Rio das Mortes (1971)
- Eight Hours Don't Make a Day (1972–1973)
- Jail Bait [de] (1972)
- World on a Wire (1973)
- Martha (1974)
- I Only Want You to Love Me (1976)
- The Stationmaster's Wife (1977)
- Berlin Alexanderplatz (1980, series)
- BRD Trilogy
- Enfant Terrible (2020 biopic)
- Fassbinder's Women (2000 documentary)
- Fassbinder: Thousands of Mirrors (2023 book)