The Lomellini Family
The Lomellini Family | |
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Artist | Anthony van Dyck |
Year | c. 1625–1627 |
Medium | Oil on canvas |
Dimensions | 269 cm × 254 cm (106 in × 100 in) |
Location | Scottish National Gallery, Edinburgh |
The Lomellini Family is a portrait painting by the Flemish Baroque painter Anthony van Dyck. A group portrait of a landed Genoese family, it is in the Scottish National Gallery in Edinburgh.
Painting
Van Dyck spent the years 1621–1627 in the city of Genoa, painting portraits for the city's wealthiest and most prominent patrons. This work is considered his grandest and most encompassing. It was commissioned by Giacomo Lomellini, the Doge of Genoa, and depicts his family, though he himself does not appear in the work. This is because incumbent doges were forbidden from being depicted, to prevent self-promotion. Lomellini's two eldest sons stand next to his second wife, and to her left are their two youngest children.[1] It was acquired by the Royal Institution in 1830, and transferred to the gallery in 1859.[2]
See also
References
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- Entry of Christ into Jerusalem (1617)
- Crucifixion with the Virgin, Saint John and Saint Mary Magdalene (1617–1619)
- Saint Martin Dividing his Cloak (1618)
- The Brazen Serpent (c. 1618–1620)
- The Apostle Matthew (c. 1618–1620)
- The Crowning with Thorns (1618–1620)
- The Betrayal of Christ (1618–1620)
- Bristol
- Madrid
- Minneapolis
- Saint Ambrose barring Theodosius from Milan Cathedral (c. 1619–1620)
- Samson and Delilah
- 1620
- 1630
- Susanna and the Elders (c. 1631–1632)
- Madonna and Child (1621–1627)
- The Mocking of Christ (1628–1630)
- The Coronation of Saint Rosalia (1629)
- The Vision of the Blessed Hermann Joseph (1629–1630)
- Madonna and Child with Two Donors (1630)
- Rest on the Flight into Egypt (1630)
- Crucifixion (1630)
- The Resurrection (1631–1632)
- Madonna with Partridges (1632)
- Deposition / Lamentation over the Dead Christ
- 1615
- 1618
- 1619
- 1629
- 1629–1630
- 1634
- 1635
- 1640
(1624–1625)
- Houston
- London
- Madrid
- New York
- Ponce
- Palermo (studio work)
- Munich (autograph or studio)
- Drunken Silenus (1620)
- Jupiter and Antiope (1620)
- Diana and a Nymph Surprised by a Satyr (1622–1627)
- The Shepherd Paris (1628)
- Thetis Receiving the Weapons of Achilles from Hephaestus (1630–1632)
- Venus Asks Vulcan to Forge Arms for her Son Aeneas (1630–1632)
- Cupid and Psyche (1638–1640)
- Cornelis van der Geest (1620)
- Theresa Shirley (1622)
- Robert Shirley (1622)
- Cardinal Guido Bentivoglio (c. 1623)
- The Lomellini Family (c. 1625–1627)
- Gaston, Duke of Orléans (1632 or 1634)
- Charles I with M. de St Antoine (1633)
- Equestrian Portrait of Francisco de Moncada (1634)
- Francisco de Moncada (1634)
- Thomas Francis, Prince of Carignano (1634)
- Charles I at the Hunt (c. 1635)
- Charles I in Three Positions (1635 or 1636)
- The Three Eldest Children of Charles I (Turin) (1635)
- The Three Eldest Children of Charles I (Royal Collection) (1636)
- Equestrian Portrait of Charles I (1637–1638)
- Triple Portrait of Henrietta Maria (1638)
- Mary Hill, Lady Killigrew (1638)
- William Killigrew (1638)
- Queen Henrietta Maria as St Catherine (1639)
- Luigia Cattaneo-Gentile (c. 1622)
- Magistrates of Brussels (Preparatory sketch) (1634–1635)
- Olivia Porter (1630s)
- Mary Villiers, Lady Herbert of Shurland (c. 1636)
- Lord John Stuart and his Brother, Lord Bernard Stuart (c. 1638)
- Vienna (1613–1614)
- New York (1620–1621)
- Self-Portrait with a Sunflower (1632–1633)
- Self-portrait with Sir Endymion Porter (1635)
- London (1640)
- A Soldier on Horseback (c. 1616)
- Mucius Scaevola before Lars Porsenna (c. 1618–1620)
- Hendrick van Balen the Elder (master)
- Peter Paul Rubens (master)
- Paul de Vos (collaborator)
- Van Dyke beard
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