Serravalle Altarpiece
![](http://upload.wikimedia.org/wikipedia/commons/thumb/2/2e/Tiziano_Vecellio_-_Pala_di_Serravalle_%281542-47%29.jpg/300px-Tiziano_Vecellio_-_Pala_di_Serravalle_%281542-47%29.jpg)
The Serravalle Altarpiece or Madonna and Child in Glory with Saint Andrew and Saint Peter is a painting by Titian, now in the church of Santa Maria Nova in Serravalle, for which it was commissioned.
History
The town council of Serravalle commissioned the painting for the church in spring 1542, initially choosing the local painter Francesco da Milano but later voting to replace him with Titian,[1] who was also commissioned to paint the Castello Roganzuolo Altarpiece that year. The contract with Titian was drawn up in autumn 1512 and total payment eventually amounted to 250 ducats.[2] Probably completed between 1547 and 1548, the work was only delivered in the 1550s thanks to problems over the final payment to the artist - legal disputes over payment continued even after the work's delivery.[3]
The work's condition was already deteriorating in the 17th century and this was worsened by several failed restorations, such as that of 1865. Its original colours were restored by two successful conservation efforts between 1991 and 2000.[4]
See also
References
Bibliography
- Giorgio Tagliaferro, Tiziano Vecellio. Madonna col Bambino in gloria e santi Andrea e Pietro, in Lungo le vie di Tiziano. I luoghi e le opere di Tiziano, Francesco, Orazio e Marco Vecellio tra Vittorio Veneto e il Cadore, a. c. di M. Mazza, Skira, 2007, pp. 54–65.
- Giorgio Tagliaferro, La pala di Serravalle e la congiuntura degli anni '40
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- A Young Englishman (1540–1545)
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- The Vendramin Family (1543–1547)
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- The Lovers (c. 1510 – attributed)
- The Three Ages of Man (c. 1512–1514)
- Sacred and Profane Love (c. 1514)
- The Feast of the Gods (1514)
- Venus and Cupid (1510–1515)
- Lucretia and her Husband (1515)
- The Bravo (c. 1515)
- Flora (c. 1515)
- Vanity (c. 1515)
- Violante (c. 1515)
- Woman with a Mirror (c. 1515)
- The Worship of Venus (1518–19)
- Venus Anadyomene (c. 1520)
- Bacchus and Ariadne (1520–1523)
- The Bacchanal of the Andrians (1523–1526)
- Allegory of Marriage (c. 1530–1535)
- Eleven Caesars (1536–1540)
- Venus of Urbino (1538)
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- Venus and Musician (several versions, 1540s–1570s)
- Tityus (1549)
- Sisyphus (1549)
- Danaë (several versions; 1543–1565)
- Venus and Adonis (several versions)
- Mars, Venus and Amor (c. 1550)
- Pardo Venus (1551)
- Venus with a Mirror (1555)
- Perseus and Andromeda (1554–1556)
- Diana and Actaeon (1556–1559)
- Diana and Callisto (1556–1559)
- The Death of Actaeon (c. 1559–1575)
- The Rape of Europa (c. 1560–1562)
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- Allegory of Prudence (c. 1565–1570)
- Nymph and Shepherd (c. 1570)
- Tarquin and Lucretia (comp. 1571)
- Flaying of Marsyas (1570–1576)
- Christ Carrying the Cross (c. 1505 – also attributed to Giorgione)
- Bache Madonna (c. 1508)
- Flight into Egypt (c. 1508)
- Lochis Madonna (1508–1510)
- Saint Mark Enthroned (c. 1510)
- The Gypsy Madonna (c. 1510)
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- Christ and the Adulteress
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- (Vienna, c. 1520
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- Saint Francis Receiving the Stigmata (1525)
- The Assassination of Saint Peter Martyr (1529)
- Aldobrandini Madonna (1530)
- Madonna of the Rabbit (1530)
- Madonna of the Roses (c. 1530)
- Penitent Magdalene (1531)
- Saint Jerome in Penitence (1531)
- Pilgrims at Emmaus (c. 1533–1534)
- Supper at Emmaus (c. 1534; c. 1545)
- The Presentation of the Virgin at the Temple (1534–1538)
- Saint John the Baptist (1540)
- Sciarra Madonna (c. 1540)
- The Crowning with Thorns (1542–43)
- Ecce Homo
- Vienna, 1543
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- Abraham and Isaac (c. 1543–1544)
- Cain and Abel (c. 1543–1545)
- Serravalle Altarpiece (1548)
- Castello Roganzuolo Altarpiece (1549)
- The Fall of Man (c. 1550)
- Penitent Magdalene (c. 1550)
- Saint Jerome in Penitence (1552)
- The Martyrdom of Saint Lawrence (c. 1548–1559)
- La Gloria (1554)
- Christ Appearing to his Mother after his Resurrection (1554)
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- The Entombment (1559)
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