Portrait of a Sick Man
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Portrait of a Sick Man is a 1515 oil on canvas painting by Titian. It is now in the Uffizi in Florence.
Composition
The work is inscribed "MDXIIIII AN. ETATIS XXII". Its title derives solely from the unknown subject's pallid face and melancholy expression. One hypothesis holds him to be Claudio Tolomei, but this is not widely accepted.[1]
Provenance
The work is recorded in Leopoldo de' Medici's collections, which on his death entered the grand-ducal collections, which later passed to the Uffizi and other museums in Florence. In the earliest inventories, until 1769, it was attributed to Leonardo da Vinci, then to Sebastiano del Piombo (1797) and from 1880 to 1890 to the circle of Lorenzo Lotto. The art historians Adolfo Venturi and Bernard Berenson argued against the attribution to Piombo and others started to point to Titian as a possible attribution, though it took until a 1975 restoration for this to be confirmed.
Literary references
The portrait's subject inspired the protagonist in "La última visita del gentilhombre enfermo", one of thirty Giovanni Papini stories in his 1906 collection "La tragedia cotidiana". Jorge Luis Borges then in turn included the story in the volume "Libro de sueños" in his "The Library of Babel" series.[2]
See also
References
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- Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter (1503–1506)
- A Man with a Quilted Sleeve (c. 1509)
- La Schiavona (1510–1512)
- A Man
- New York, c. 1512)
- (Indianapolis, c. 1515
- Shepherd with a Flute (c. 1510–1515)
- A Man in a Red Cap (c. 1510–1515)
- A Sick Man (1515)
- Jacopo Sannazaro (c. 1514–1518)
- Gian Giacomo Bartolotti da Parma (c. 1515)
- A Knight of Malta (c. 1515)
- Vincenzo Mosti (c. 1520)
- Young Woman in a Black Dress (c. 1520)
- Man with a Glove (c. 1520)
- Laura Dianti (c. 1520–1525)
- Alfonso I d'Este (1523)
- A Lady (c. 1525–1565)
- Federico II Gonzaga (c. 1529)
- Giacomo di Andrea Dolfin (c. 1531–1532)
- Alfonso d'Avalos with a Page (1533)
- Charles V with a Dog (1533)
- Ippolito de' Medici (1532–1533)
- Giacomo Doria (1533–1535)
- Charles V (1533–1535)
- Isabella d'Este (1534–1536)
- La Bella (1536)
- Girl in a Fur (1536–1538)
- Count Antonio Porcia and Brugnera (c. 1535–1540)
- A Man with a Falcon (c. 1537)
- Eleonora Gonzaga della Rovere (1538)
- Francesco Maria della Rovere (1538)
- Cardinal Pietro Bembo (1539–1540)
- Benedetto Varchi (c. 1540)
- Pope Sixtus IV (c. 1540)
- A Young Englishman (1540–1545)
- Ranuccio Farnese (c. 1542)
- Clarissa Strozzi (1542)
- The Vendramin Family (1543–1547)
- Pietro Aretino (1545)
- Lavinia Vecellio (c. 1545)
- Pope Paul III (1545–1546)
- Pope Paul III Wearing a Camauro (1545–1546)
- Pope Paul III and His Grandsons (1545–1546)
- Cardinal Alessandro Farnese (c. 1545–1546)
- Pier Luigi Farnese (1546)
- Andrea Gritti (c. 1546–1550)
- Charles V (on horseback) (1548)
- Charles V (seated) (1548)
- Isabella of Portugal (1548)
- John Frederick I, Elector of Saxony (c. 1550–1551)
- A General (c. 1550)
- Philip II in Armour (1551)
- Cardinal Cristoforo Madruzzo (1552)
- Philip II (1554)
- Woman Holding an Apple (c. 1550–1555)
- Christina of Denmark (1555–1556)
- Girl with a Platter of Fruit (c. 1555–1558)
- Fabrizio Salvaresio (1558)
- An Unknown Lady (c. 1550–1560 – also attributed to Titian's workshop)
- Jacopo Strada (1567–1568)
- A Lady in White (c. 1561)
- Self-Portrait (1546–1547)
- Self-Portrait (c. 1560)
- Detroit Trio (c. 1500 – also attributed to Giorgione and others)
- The Birth of Adonis (c. 1506–1508)
- The Legend of Polydoros (c. 1506–1508)
- Justice (c. 1508)
- Pastoral Concert (c. 1509 – also attributed to Giorgione)
- Dresden Venus (with Giorgione, c. 1510)
- The Lovers (c. 1510 – attributed)
- The Three Ages of Man (c. 1512–1514)
- Sacred and Profane Love (c. 1514)
- The Feast of the Gods (1514)
- Venus and Cupid (1510–1515)
- Lucretia and her Husband (1515)
- The Bravo (c. 1515)
- Flora (c. 1515)
- Vanity (c. 1515)
- Violante (c. 1515)
- Woman with a Mirror (c. 1515)
- The Worship of Venus (1518–19)
- Venus Anadyomene (c. 1520)
- Bacchus and Ariadne (1520–1523)
- The Bacchanal of the Andrians (1523–1526)
- Allegory of Marriage (c. 1530–1535)
- Eleven Caesars (1536–1540)
- Venus of Urbino (1538)
- Alfonso d'Avalos Addressing his Troops (1540)
- Venus and Musician (several versions, 1540s–1570s)
- Tityus (1549)
- Sisyphus (1549)
- Danaë (several versions; 1543–1565)
- Venus and Adonis (several versions)
- Mars, Venus and Amor (c. 1550)
- Pardo Venus (1551)
- Venus with a Mirror (1555)
- Perseus and Andromeda (1554–1556)
- Diana and Actaeon (1556–1559)
- Diana and Callisto (1556–1559)
- The Death of Actaeon (c. 1559–1575)
- The Rape of Europa (c. 1560–1562)
- The Concert (c. 1543–1564)
- Venus Blindfolding Cupid (c. 1565)
- Allegory of Prudence (c. 1565–1570)
- Nymph and Shepherd (c. 1570)
- Tarquin and Lucretia (comp. 1571)
- Flaying of Marsyas (1570–1576)
- Christ Carrying the Cross (c. 1505 – also attributed to Giorgione)
- Bache Madonna (c. 1508)
- Flight into Egypt (c. 1508)
- Lochis Madonna (1508–1510)
- Saint Mark Enthroned (c. 1510)
- The Gypsy Madonna (c. 1510)
- Holy Family with a Shepherd (c. 1510)
- Christ and the Adulteress
- Glasgow, c. 1510)
- (Vienna, c. 1520
- Virgin and Child Between Saints Anthony of Padua and Roch (c. 1511)
- The Resurrected Christ (c. 1511–12)
- Baptism of Christ (c. 1512)
- Virgin and Child with Saints Stephen, Jerome and Maurice (Paris; c. 1510–1525)
- Miracle of the Jealous Husband (1511)
- Rest on the Flight into Egypt (c. 1512)
- Balbi Holy Conversation (c. 1513)
- Noli me tangere (c. 1514)
- The Archangel Raphael and Tobias (c. 1512–1514; c. 1540–1545)
- Salome
- Rome, c. 1515)
- (Madrid, c. 1550)
- (Private, c. 1570
- Madonna of the Cherries (1515)
- The Tribute Money (c. 1516)
- Assumption of the Virgin (1516–1518)
- The Virgin and Child with Saint George and Saint Dorothy (1516–1518)
- Virgin and Child with Saint John the Baptist and an Unidentified Saint (c. 1515–1520)
- Madonna and Child with Four Saints (c. 1516–1520)
- Pesaro Madonna (1519–1526)
- Virgin and Child with Saints Anthony Abbot, Jerome and Francis (c. 1519)
- Gozzi Altarpiece (1520)
- Virgin and Child with Saints Stephen, Jerome and Maurice (Vienna; c. 1520)
- Malchiostro Annunciation (c. 1520)
- The Entombment of Christ (c. 1520)
- Averoldi Polyptych (1520–1522)
- Saint Francis Receiving the Stigmata (1525)
- The Assassination of Saint Peter Martyr (1529)
- Aldobrandini Madonna (1530)
- Madonna of the Rabbit (1530)
- Madonna of the Roses (c. 1530)
- Penitent Magdalene (1531)
- Saint Jerome in Penitence (1531)
- Pilgrims at Emmaus (c. 1533–1534)
- Supper at Emmaus (c. 1534; c. 1545)
- The Presentation of the Virgin at the Temple (1534–1538)
- Saint John the Baptist (1540)
- Sciarra Madonna (c. 1540)
- The Crowning with Thorns (1542–43)
- Ecce Homo
- Vienna, 1543
- David and Goliath (c. 1542–1544)
- Abraham and Isaac (c. 1543–1544)
- Cain and Abel (c. 1543–1545)
- Serravalle Altarpiece (1548)
- Castello Roganzuolo Altarpiece (1549)
- The Fall of Man (c. 1550)
- Penitent Magdalene (c. 1550)
- Saint Jerome in Penitence (1552)
- The Martyrdom of Saint Lawrence (c. 1548–1559)
- La Gloria (1554)
- Christ Appearing to his Mother after his Resurrection (1554)
- Mater Dolorosa (c. 1555)
- Saint Jerome in Penitence (1575)
- Crucifixion (1558)
- The Entombment (1559)
- Saint Margaret and the Dragon (c. 1559)
- Annunciation (1559–1564)
- Madonna and Child with Saints Luke and Catherine of Alexandria (c. 1560)
- Penitent Magdalene (1565)
- Saint Dominic (c. 1565)
- Judith with the Head of Holofernes (c. 1570)
- Religion saved by Spain (1572–1575)
- Saint Sebastian (c. 1575)
- The Crowning with Thorns (1576)
- Pietà (1576)
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